18th June 2017

Language Features

Select three passages from the book (about a paragraph or two in length) that we have NOT annotated as a class. Annotate these passages and identify the language features that Fitzgerald uses. Explain the effect of these features and why he may have chosen to use them.

  1. This is a valley of ashes – a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke and, finally, with a transcendent effort, of ash-grey men, who move dimly and already crumbling through the powdery air
  2. He had one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced, or seemed to face, the whole external world for an instant and then concentrated on you with an irresistible prejudice in your favor. It understood you just as far as you wanted to be understood, believed in you as you would like to believe in yourself.
  3. Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter—tomorrow we will run faster, stretch out our arms farther. . . . And then one fine morning—
    So we beat on, boats against the current, borne back ceaselessly into the past.

 

Fitzgerald uses many allusions throughout the novel. Select one of these allusions and explain the connection between it and the book. Bonus: how can you link it to our theme of “illusion”.

Merton College library-  The Merton College Library is used to describe Gatsby’s library because he was an oxford man. This is part of the illusion of his life. As Gatsby closed the door of ‘the Merton College Library’ I could have sworn I heard the owl-eyed man break into ghostly laughter. Earlier in the book the Owl Eyed Man states that the books are only for show and it was all apart of the illusion of Gatsby’s life. This statement is showing that owl eyes can see through the illusion of Gatsby’s life. He is mocking Gatsby. 

 

 

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Writing